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More from Maybe4Less
Maybe4Less started out much like a Bryan Singer film….
seemingly harmless but strangely exciting. A friend, who was
in need of entertainment for his birthday party, had heard some
of the music that guitarist/lead singer Dash Hawkins had
recorded and convinced him to perform. Dash recruited bassist
Chris “Rollin” Olin, the two played at the party, and Dash got off
without having to buy his friend a birthday present. Thus was
the beginning of Maybe4Less. It was hardly over.
Expect more
The boys of Maybe4Less are all seventeen, excelling in highschool in LA and beating the odds generating industry interest in a town where young bands are usually eaten for breakfast and spit out for lunch. Already Mandalay
entertainment, Fanscape.com and HardRoad.com are looking to
help develop the band on and off the Internet. Undaunted by
the challenges ahead of them, Dash will tell you, “Trust me, this
is going to be big, the music speaks for itself.” After starting
their musical lovefest, Dash and Chris quickly recruited a
drummer, and the trio began playing all over LA. They played
parties and gigs at the Cobalt, and at the KROQ tent in front of
the LA Coliseum for the Summer Sanitarium tour (featuring Kid
Rock, Korn and Metallica.) Soon after recording their first CD, 7
Humps Ahead, and performing at the Whiskey in December of
2000, Seattle-based Very Juicy Records snapped up the band,
punched out a deal and put them in the label’s artist
development tank, the Red Room Studio to record their first
national release.
Back at the Whiskey
At that same Whiskey show, John Holdridge, a friend of Dash and
Chris’ since their childhood, joined them on stage for one song.
From that single performance, it was apparent that John added
an amazing sonic texture to Maybe4Less’ already distinctive
sound, and the trio morphed into a four-piece band. With the
departure of their original drummer and subsequent addition of
Kyle Berkman on drums, Maybe4Less was finally ready to take
that bizarre trip down the path of alt-pop rock stardom.
Inside the Red Room
The band entered the studio in July of 2001 with producer
Maurice Jones Jr. to work on their self-titled debut CD.
Maybe4Less is truly a collaborative effort. Although Dash takes
primary responsibility for writing the lyrics, all four-band
members collectively shaped the sound of the eleven songs
on the CD. “Maurice looked me in the eye and said you must
open up your voice, sing from your whole body. I did and man
it’s a whole new vocal flow for me now.” Says Dash about his
lead vocals.
Coming From Everywhere
Though many have insisted that Maybe4Less could be the second
coming of such great bands as Third Eye Blind, the band has
diverse musical influences that include 311, Jamiroquai, Foo
Fighters, Soundgarden/Pearl Jam drummer Matt Cameron, The
Beatles, Stone Temple Pilots, and Smashing Pumpkins. With all
this in their heads, it’s no wonder that the band has a sound that
defines the essence of pop and alternative rock. Maybe4Less
opens with a straight- up rocker, “Immaculate Misconception,”
and sustains that same energy with “Poker Face,” which matches
strong vocal harmonies with – according to bassist Chris Olin– a
“frenetic” melody line. Dash’s lyrical insights into the complex
nature of relationships are evident on songs such as “When She
Loses It All” and “Get Off The Phone.” “I Digress” opens with
noticeably sustained power in the bass and drums. The song
soars into an equally strong melodic line when the guitars come
in, and then takes listeners to another place altogether in the
breakdown. The band’s sense of pop finesse shines on tracks
such as “Seven-Four Lazy J” and “April Fools,” while the rock
anthem ballad “She’s Alright” again conveys its own conflicted
emotions through musical contrast. “The verse is slower and
more dense, which represents the smothering, going-through-
the-motions time when a relationship is about to crash and burn,
and the chorus, which is much more open with less of a higher
energy rhythm, symbolizes the freedom that both partners feel
once it’s finally over,” says wiser- than- his- age -suggests Chris.
“Point of View” and the totally mellow “Valley Girl” showcase
show even more depth. The CD finally concludes with “Make
Him Bleed,” a song lead singer Dash Hawkins explains is about
meeting an ex-girlfriend’s new love. “I used the contrast of a
mellow, melodic verse with a screaming, aggressive guitar
chorus to capture the frustration and anger of teen-age romance.
Not mine of course, but other people’s”
The Plan to Conquer the World
Now that they’ve finished recording and are back in LA,
Maybe4Less is clearly on a mission to build their core fan base,
book the band everywhere and give their newly indoctrinated
fans their first taste of something more. Over the next 12
months, expect more shows at such LA clubs as the Whiskey,
Genghis Cohen, and the Martini Lounge and Northwest Clubs
including I Spy, Graceland, the Crocodile and the EMP. Most of
the boys come from entertainment industry royalty, with Dash’s
Dad Rick Hawkins a major television writer, John’s Dad being the
prominent film composer Lee Holdridge and Chris’s Dad having
run the business affairs of A&M records for well ever a decade
until he became the COO of the controversial Napster file sharing
site. From this perspective, the boys know what they have to do.
“We will keep touring, touch every chat room and web site in
cyberspace and build the Maybe4Less army. We will never take
no for answer, says emphatic guitarist John Holdridge. “The
chance Very Juicy Records and our parents are giving us to live
this ultimate teen rock and roll dream is incredible. Every day in
the studio we could not get these big grins off our faces!” says
drummer and newest member Kyle Berkman.
Dash Hawkins on lead guitars and
lead vocals, Chris Olin on bass and vocals, John Holdridge,
Guitars and vocals, and Kyle Berkman on drums and vocals
are Maybe4Less.
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